The Idiot
by Elif Batuman
Published: March 2017

If you have the chance to read this while laying on a towel in your backyard — or whatever lets you relive your favorite adolescent summer breaks — I highly recommend it. Nothing throws me back into past versions of myself like a well-written bildungsroman with an endearingly naive but resilient protag. 
College freshman Selin is learning to navigate elite university life in the 90's. She’s overanalyzing art and film, deconstructing theories of psycholinguistics and making friends with every fun ivy league stereotype along the way.

I get why this got nominated for a Pulitzer, Batuman has a thoughtful, observant way of capturing the world that was pleasantly refreshing. So maybe there are bits that got a little slow or parts where you just wanna shake the main character (until you remember what it was like to be 19 and allow some empathy... for her and for your own past self). To keep this spoiler free, I will just say that I found the ending to be very upsetting until I had a good think about how the main character would have felt about it. And then I had a good laugh. Well played.

Home Fire

Home Fire
by Kamila Shamsie
Published: August 2017

A British-Pakistani retelling of Antigone that cuts deeply into one of the most divisive and charged political issues of our day: Muslim immigration in a time of ISIS. Various characters offer their perspective in unraveling the story - a devout Muslim studying sociology, a secular, hawkish political conservative, and a naive rebellious youth are but a few.

4.5 out of 5: The layering of personal narratives and insight was masterfully crafted and I really enjoyed the meta-story that arises from it. Just goes to show how easy it is to judge someone before you know their motives, their story. What's the old adage - "we judge others by their actions and ourselves by our intentions"?

As for the ending, **SPOILER ALERT** while there is definitely room for debate here, I do not think the ending was lazy or hyperbolic. It perfectly captures the intense theatrical downer that is greek tragedy (though I definitely wouldn't have caught the Antigone parallels on my own) but it also fits unsettling well into the chaos and violence of the ISIS narrative. This is exactly the sort of situation that terror organizations take advantage of.